“Enharmonic properties of chord voicing’s”.

I am doing a new section for the Book 2 of interlock.

Enharmonic possibilities of chords 3 notes and higher. I will do some graphics for this so look farther on with this blog it will be more extensive.

I always start my students on “The seven spellings”

From there most all teachers will talk about the different families and how the spellings are affected by the “Chord Formulas” I have a chart of 105 spellings for 4 note chords. This is a fundamental piece of theory, it’s like knowing your times tables in math. You will need to get a serious grasp of the basic spellings in order to even think about this blog’s original intent. “Enharmonic properties of chord voicing’s”. We will start with the 7 spellings.

Chords are built in 3^rd intervals so we start with C.

A major 3^rd above is E, A major 3^rd above is G A major 3^rd above is B so the spelling looks like this.

Built from the bottom up. This is a C Major 7.

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B      C      D      E      F      G      A

G      A      B      C      D      E      F 

E      F       G     A      B      C      D

C      D      E      F      G      A      B

Now if I stack D in 3rds with “NO SHARPS OR FLATS”

I get a different set of 3rds D to F is a min3 ^rd, F to A is a Maj 3^rd, A to C is another min 3^rd. look

I am just starting out here and this should be fun I am a guitar teacher and a guitar enthusiast. I have spent my life playing and teaching. I am going to add a lot of stuff on this as I go. I studied with Ted Greene and I will be adding stuff on here from my experiences with him. He was a mentor to me and thousands of others. I also will post pics and tunes and bands that I was influenced by as I grew. I hope this is an invigorating and informative site with a positive

LaBash Guitar